So it was the detective’s
husband. Although most media reviews have gone big on the fact that only 29
people in the world knew the outcome, most people seemed to have a pretty good
idea who the killer was before last night’s final episode of Broadchurch.
Critics have fallen over
themselves to praise the ITV drama, heralding it as the British television
event of the year so far. And one of the themes that nearly all reviews and
previews went with was that it was Britain’s answer to The Killing and
the rest of the Scandinavian crime drama wave that has proved so popular over
the last few years. Now Broadchurch, and David Tennant in particular, was very
good but I think the critics have got a little carried away with their praise.
There were elements of Scandi-noir
in Broadchurch – especially using the setting as a character in its own right.
This is something that writer Chris Chibnall has said was uppermost in his mind
after moving to Dorset himself. But if anything it is unfair to compare
Broadchurch to The Killing or The Bridge. The shadowy, rain sodden settings for
Swedish or Danish dramas give those shows their own distinct style. Broadchurch
used its small town setting as a major plot device to show that evil is not
confined to the inner cities.
Spot the difference?
As much as I enjoyed
Broadchurch there were a few things that made me question the uniformly gushing
reviews. The red herrings weren’t really a problem – and nothing compared to
the first series of The Killing – and most story lines were tied up. There was though,
especially in the first few episodes, a certain amount of overacting. Pauline
Quirke’s character was immediately discounted as the murderer in my household
due to her ‘creepy, I’m a murderer me’ staring. And it did feel a little
‘Midsomer Murders’ as the camera lingered on the characters staring
mysteriously into the distance after an encounter with any of the detectives.
Apart from the lead characters the rest of the cast were nothing special and
the series really didn’t need to be eight episodes long. Five or six at most
would have been sufficient.
Broadchurch was good though and
I did look forward to the next episode every week. It will probably do well
when it comes to awards but it should be enjoyed on its own merits and not
compared to superior dramas. At the end of last night’s finale we were told
that Broadchurch will return. It is difficult to see how this would work. The
standout performances were the two lead detectives but with David Tennant’s
character medically unfit to work and Olivia Colman’s dealing with her
husband’s crime it is hard to see what the premise of a second series will be.
Maybe a second series was
always part of the plan but it felt like someone at ITV had seen the ratings
for this series and decided that the show must go on. It would be better for
ITV to continue to find gems like
Broadchurch rather than ruin the show by using the name to sell inferior
television.
